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Lloyd Daley

With the Jamaican music scene of the late '50s and early '60s having been dominated by a few producers, like Clement "Coxsone" Dodd, Duke Reid, and Prince Buster, the latter half of the '60s was ripe for a new and large array of studio auteurs. The island's musical terrain, like the one in the U.S., had, to a large extent, been steered by the men and women behind the scenes (stateside producers such as Mitch Miller, Phil Spector, Smokey Robinson, and Thom Bell come to mind). And while Jamaican solo… Show more

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