In 2003, Frenchmen Anthony Gonzalez and Nicolas Fromageau enjoyed international acclaim for the album Dead Cities, Red Seas & Lost Ghosts, a luscious blend of shoegaze aesthetics, ambient pop, and progressive textures. But M83 had been releasing material for several years, having issued their self-titled debut through the tiny but taste-making French label Gooom in 2001. The success of Dead Cities, Red Seas brought attention not only to M83, but also to the Gooom label, which helped fuel the popularity of other glitchy, sleek, and vaguely psychedelic artists like Cyann & Ben. Fromageau departed the lineup after the second album, looking to pursue solo work instead, and Gonzalez returned to the studio for a follow-up record. When Before the Dawn Heals Us appeared in January 2005, the addition of vocals and more consistent rhythms made it M83's most cohesive album yet. After finishing the subsequent tour, Gonzalez recorded Digital Shades, Vol. 1, a set of ambient songs inspired by Brian Eno and Krautrock that arrived in 2007. Gonzalez then worked with producers Ewan Pearson and Ken Thomas on the critically acclaimed Saturdays=Youth, which was released in April 2008. After extended touring in support of that album, Gonzales collaborated with producer Justin Meldal-Johnsen, Medicine's Brad Laner, longtime vocalist Morgan Kibby, and Zola Jesus on the sprawling double-disc set Hurry Up, We're Dreaming, which arrived in October 2011. ~ Johnny Loftus, Rovi
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Upcoming Events
| Event | Time | Location | Tools |
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| M83 | Sun, Apr 22 8:00p | The Fillmore, San Francisco, CA |
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| M83 | Mon, Apr 23 8:00p | The Fillmore, San Francisco, CA |
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| M83 | Wed, Apr 25 8:00p | Roseland Theater, Portland, OR |
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| M83 | Thu, Apr 26 8:00p | Paramount Theatre, Seattle, WA |
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| M83 | Fri, Apr 27 8:00p | The Vogue Theater, Vancouver, BC |
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| M83 | Sun, Apr 29 9:00p | In The Venue, Salt Lake City, UT |
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| M83 | Mon, Apr 30 8:00p | Ogden Theatre, Denver, CO |
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| M83 | Tue, May 1 8:30p | The Granada Theater, Lawrence, KS |
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| M83 with Break Horses | Wed, May 2 8:00p | The Pageant, St Louis, MO |
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| M83 | Fri, May 4 6:30p | Vic Theatre, Chicago, IL |
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| M83 | Sat, May 5 8:00p | Majestic Theatre, Detroit, MI |
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| M83 | Sun, May 6 8:00p | The Sound Academy, Toronto, ON |
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| M83 | Mon, May 7 7:00p | The Town Ballroom, Buffalo, NY |
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| M83 | Wed, May 9 7:00p | House Of Blues, Boston, MA |
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| M83 | Thu, May 10 7:00p | Terminal 5, New York, NY |
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| M83 | Fri, May 11 8:00p | Union Transfer, Philadelphia, PA |
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| M83 | Sat, May 12 7:00p | Nightclub 9:30, Washington, DC |
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| M83 | Sat, May 12 11:00p | Nightclub 9:30, Washington, DC |
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| M83 | Mon, May 14 8:00p | The Buckhead Theatre, Atlanta, GA |
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| M83 | Tue, May 15 7:00p | Marathon Music Works, Nashville, TN |
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| M83 | Thu, May 17 8:00p | House of Blues Houston, Houston, TX |
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| M83 | Fri, May 18 7:00p | Stubb's Bar-B-Q and Waller Creek Amphitheatre, Austin, TX |
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| M83 | Sat, May 19 8:00p | Granada Theater, Dallas, TX |
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| M83 | Wed, Aug 8 6:30p | Central Park SummerStage, Staten Island, NY |
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58 reviews
While their lyrics are rather pretentious and their songwriting craft is still slightly underdeveloped, M83 has a good ear for texture and a knack for unique melody and harmony. Their song "Lower Your Eyelids To Die With The Sun" is a good example of M83's ability to fill every last millimeter of air space with a dense wall of grandiose, epic sound.