Jason Mraz hails from Mechanicsville, VA, where the singer/songwriter grew up amidst the sounds of the Dave Matthews Band and local roots musicians the Agents of Good Roots. However, it was Mraz's interest and participation in musical theater that served as his first introduction to music. Following high school, he moved to New York to attend the American Musical and Dramatic Academy, but dropped out a year later when he took up the guitar and began to focus on songwriting. Nonetheless, Mraz's training as a vocalist would later show itself on his debut album, which was marked by the pure clarity and range of his tenor range.
After busking around New York, Mraz eventually returned to Virginia; in 1999, however, he made his way out West and settled in San Diego, CA, having been drawn to the city's coffeehouse scene and historical support of singer/songwriters, most notably Jewel. Mraz began playing shows and soon landed a weekly residency at the local hot spot Java Joe's, which had previously played host to Jewel during the early stages of her career. He also formed a duo with drummer Noel "Toca" Rivera, who accompanied Mraz's acoustic material by banging the djembe. Together, the musicians honed a live show that featured as much comedic banter as actual music.
Over the next two years, Mraz's following expanded outside of the San Diego limits and began to encompass Los Angeles, garnering the attention of record labels. Mraz signed to Elektra Records in early 2002 and returned to Virginia to write and record his debut album, a project that saw him working with producer John AlagĂa (the Dave Matthews Band, John Mayer) and his high school heroes, the Agents of Good Roots, who became his backing band. The resulting effort, Waiting for My Rocket to Come, was released that same November, blending Mraz's early influences with elements of country, roots rock, and coffeehouse folk. The buoyant first single "Remedy [I Won't Worry]," which Mraz had co-written with pop hitmakers the Matrix, proved to be a big hit, and Mraz headed out on the road to support it. One of those shows, an October 2003 date at the Eagles Ballroom in Milwaukee, was later documented on Mraz's summer 2004 live release Tonight, Not Again. The album tided his fans over until July 2005, when the songwriter returned with the sophomore studio effort Mr. A-Z. Mraz's popularity reached a new high in 2008 with the release of We Sing, We Dance, We Steal Things, which peaked at number three and spawned his first chart-topping single, "I'm Yours." The concert album, Jason Mraz's Beautiful Mess: Live on Earth, followed in 2009. ~ Christina Saraceno, Rovi
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Jason Mraz
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1 review
Let's put this into perspective. We traveled from Ottawa to Vancouver expressly to see this show. First time at GM Place - WTF? No bar inside to have a drink BEFORE the show - just concessions?
Bushwalla opened and was awesome. Only three songs - but audience participation that was magical. He then introduced K'Naan. This is the reason why people usually skip the opening act. He started with some really nice tunes but then went into a lecture about Somalia and Africa and the political situation there. Look, we get it - you're all about Africa - but no one came to get lectured. Shut up and play - which he didn't - he would interrupt songs to make political statements and then even called out the wrong city (TO instead of Vancouver).
To make it worse, after he left, it took over 45 minutes for Jason's stage to get set. How do I know? When you can play the entire standard Cars album and then some, you're definitely in there way too long.
When Jason did finally come out, it was closer to 9 than the 7pm the show started at. He played for one hour before the encore - 60 minutes - 10 songs, very nice, a great duet with Bushwalla, but with 10 songs, you really shouldn't try to pull in the audience participation on the 3rd song as though you had been playing for a while. We had pretty good seats where we could see the stage and their faces. Until they did the encore - at the other END of the arena. Nice idea but his back was to the audience the entire time. People were leaving - some to try and get to the front. I felt for the floor audience who had been waiting since 5pm to get in (we saw them) and then they got 1 hour and then had to rush the other stage.
We left at that point - I know his last song was to be Butterfly - he played three songs in the other area. Not sure how he got back to the main stage but he did.
I think the stadium production isn't the way to see Jason Mraz - he wanted to please everyone and in the end, didn't please anyone. And dump K'Naan - he obviously doesn't get how to be an opening act. I wish Bushwalla had done the entire opening thing.