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David Ryan Adams (born November 5, 1974) is an Grammy® Award-nominated American alt-country/rock singer-songwriter from Jacksonville, North Carolina. Initially a member of the group Whiskeytown, after three albums Adams went solo, releasing Heartbreaker in 2000. A longtime resident of New York City, Adams is probably best known for his song "New York, New York", which appeared on his 2001 release Gold. He has since released five more solo albums and three albums with backing band, The Cardinals. His most recent album, Cardinology, was released on October 28, 2008.
Adams has also produced albums by Jesse Malin and Willie Nelson and contributed to the albums of various artists, including: Toots & the Maytals, Beth Orton,, Minnie Driver, Counting Crows, America and Cowboy Junkies. He also appeared on CMT Crossroads with Elton John.
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In early 2009 Adams left The Cardinals and announced that he was taking an indefinite hiatus from music.[1]
Adams has written two books of short stories and poems, entitled Infinity Blues and Hello Sunshine. Beginning in August 2009, Adams also began blogging for The Awl.
Adams married singer and actress Mandy Moore on March 10, 2009 in Savannah, Georgia.[3]
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2 reviews
During the beginning of the show I felt as though I was witnessing an artist at the top of his game. The band was incredibly tight, the delivery was crisp, and the craftmanship of his songwriting came through brilliantly. A couple of things were to note : he has 'mood lighting' aka: there are no lights to highlight the performers other than some muted soft ambient lights and 'rotating' circles that at times caught his face and moved away. At first it was strange, but I accepted it as part of the "artistry" and how he chose to deliver his music. It was, however, lost on some of the paying crowd, who shouted out 'show your face'...from there it was as if Ryan was perturbed that the marin crowd wouldn't be 'enlightened' enough to know this was by design, and he began to state as much, encouraging the yeller to go see Coldplay if the wanted lighting. Ryan then whipped into a rousing number, at the end of which he apologized for the outburst, and that he in fact thought highly of coldplay...I got the sense he didn't feel the same about the marin crowd as they continued to banter him for a particular song or convey how much they loved him, he seemed to want nothing of it and instead went on to discuss with the audience his troubled digestive system, his apparent bad choice off the dinner menu, and apologized to those in the front row as he "blasted a hole in the bench seat" of the piano. I thought we in the audience deserved it... He played for 2 full hours and didn't cover some of his most well known numbers, he stormed between soft hearfelt love tear jerkers to string-bending, mind-numbing dissonance that reeked of jimmy hendrix meets metallica. I personally enjoyed the ride, and thought the crowd was simply too perplexed (or too complex) to know what to do with the message...people were simply quiet on the way out the door. I'd see him again and am a bigger advocate after seeing him live, I just wish people in these audiences that feel the need to yell crap out at performers in the hopes of a close personal connection would stay in thier cars and sing along to the CD...it is disruptive, especially to someone such as ryan adams, who can present a story with such a gentle vulnerabilty. No he didn't play "It takes two" probably because he was sick of us..but to have some fucker shout "Your So Hot" or "Play BlahBlahBlah" deserves to have ryan 'blast' them from the stage with whatever he has, especially after some bad pork.