At the beginning of their career, Level 42 was squarely a jazz-funk fusion band, contemporaries of fellow Brit funk groups like Atmosfear, Light of the World, Incognito, and Beggar & Co. By the end of the '80s, however, the band -- whose music was instantly recognizable from Mark King's thumb-slap bass technique and associate member Wally Badarou's synthesizer flourishes -- had crossed over to the point where they were often classified as sophisti-pop and dance-rock, equally likely to be placed in the context of Sade and the Style Council as any group that made polished, upbeat, danceable pop/rock. The band's commercial peak came with 1985's World Machine, but they continued to record and tour sporadically throughout the '90s and 2000s.
Featuring Mark King (bass, vocals), Phil Gould (drums), Boon Gould (guitar), and Mike Lindup (keyboards), the band formed in 1979. Before they released their first single, "Love Meeting Love," the band was pushed to add vocals to their music in order to give it a more commercial sound; they complied, with King becoming the lead singer. Released in 1981, their self-titled debut album was a slick soul-R&B collection that charted in the U.K. Top 20, resulting in the release of The Early Tapes. Level 42 had several minor hit singles before 1984's "The Sun Goes Down (Living It Up)" hit the British Top Ten. Released in late 1985, World Machine broke the band worldwide; "Lessons in Love" hit number one in Britain and "Something About You" hit number seven in America. Their next two records, Running in the Family (1987) and Staring at the Sun (1988), were a big success in the U.K., yet only made some headway in the U.S. Both of the Gould brothers left the band in late 1987; they were replaced by guitarist Alan Murphy and drummer Gary Husband. Murphy died of AIDS-related diseases in 1989; he was replaced by the renowned fusion guitarist Alan Holdsworth for 1991's Guaranteed. The band followed Guaranteed in 1995 with Forever Now.
Throughout the remainder of the ‘90s and the 2000s, the band’s lineup fluctuated, with King the lone constant and his brother, guitarist Nathan King, on-board since 2001. Level 42 released a studio album, Retroglide, in 2006. Four years later, the band celebrated its 30th anniversary with a special tour, as well as a box set, Living It Up, which included a disc of fresh acoustic versions recorded by Mark King and Lindup. ~ Stephen Thomas Erlewine, Rovi
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Level 42
Creator: Zvents
Upcoming Events
| Event | Time | Location | Tools |
|---|---|---|---|
| Level 42 | Tue, Oct 9 7:30p | Bournemouth International Centre and Pavilion Theatre, Bournemouth, BH1 2, United Kingdom |
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| Level 42 | Wed, Oct 10 7:30p | Portsmouth Guildhall, Camas, WA |
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| Level 42 | Sun, Oct 14 7:30p | Royal and Derngate, Northampton, NN1 1, United Kingdom |
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| Level 42 | Tue, Oct 16 7:00p | Philharmonic Hall, Liverpool, L1 7, United Kingdom |
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| Level 42 | Wed, Oct 17 7:30p | Newcastle City Hall, Newcastle Upon Tyne, England |
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| Level 42 | Sat, Oct 20 7:00p | Colston Hall, Bristol, NY |
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| Level 42 | Mon, Oct 22 7:30p | Symphony Hall, Birmingham, B1 2, United Kingdom |
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| Level 42 | Tue, Oct 23 7:30p | Ipswich Regent Theatre, Ipswich, Suffolk |
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| Level 42 | Wed, Oct 24 7:30p | Cambridge Corn Exchange, Cambridge, CB2 3, United Kingdom |
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| Level 42 | Fri, Oct 26 7:30p | Brighton Dome, Brighton, BN1 1, United Kingdom |
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| Level 42 | Sat, Oct 27 7:00p | Cliffs Pavilion, Ilminster, United Kingdom |
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| Level 42 | Sun, Oct 28 8:00p | Royal Albert Hall, South Kensington, London, SW7, United Kingdom |
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1 review
Went to see Level 42 at the concert hall, Glasgow, 5/10/08. Was really looking forward to seeing them again, as the last time was 1987, at their peak. God, how the times have changed. At one point actually started to feel sorry for them. Apart from Lessons in Love, this concert was a dirge of Mark Kings bass skills, which at times had me snoozing. The first three tracks blended into one and failed to get the audience moving. This was a sight of a band trying to relive thier former glory. Throw in a couple of bass slapping instrumentals, and you have a recipe for a very dull concert. We left 10 mins before the end, as could no longer stand not being able to hear Mark Kings voice for the thumping bass and drums, was at times reminding me of the guys who bang a drum at football matches.....VERY REPETTITIVE. This band were once great but have totally lost their sparkle and just dont have anything to offer a current audience anymore. Left feeling flat and in a way wished I had not went as my 1987 memory of seeing them has been washed away by what I saw in Glasgow....Pity