Deep-voiced Latimore's sultry mid-'70s output for Miami's Glades label was a steamy marriage of soul and blues. Initially billed as Benny Latimore, the Tennessean began recording for Miami mogul Henry Stone in 1965, and his late-'60s Dade singles are solid deep soul. Dropping his first name on Glades, Latimore finally found stardom in 1973 with a jazzy reading of T-Bone Walker's "Stormy Monday." He topped the soul lists in 1974 with the anguished "Let's Straighten It Out," a simmering soul/blues hybrid, and encored with the incendiary "Keep the Home Fires Burnin'" the next year. Most of Latimore's Glades sides were produced in Miami by Steve "Every Day I Have to Cry" Alaimo, and when he wasn't cutting his own hits, Latimore acted as a house pianist for parent TK Records. Latimore moved to Malaco during the '80s, his appeal undiminished. ~ Bill Dahl, Rovi
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Latimore
Tags:
blues, funk, disco, urban, soul, soul-blues, contemporary blues, rb and soul
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