Young misfit May (Angela Bettis) endured a difficult childhood because of her lazy eye. And though contact lenses have helped May adjust as a young adult, her deep-seated awkwardness remains a problem. Adam (Jeremy Sisto), a young man obsessed with fixing wrecked cars, takes a shine to May's oddball ways. But May's strangeness ultimately drives him away, leaving her open to the advances of her co-worker Polly (Anna Faris). When Polly dumps her too, May's emotional instability turns violent.
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Contrary to recent movie trends, "gore" is not synonymous with "horror." And although director Lucky McKee's "May" has its sticky, red-splotched moments, it retains a fierce, palpable creepiness that tugs at you long after the lights come up. (Full review)