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Living the dream, one heist at a time.
Daring to face these often noxious, seemingly empty phenomena on aesthetic terms, and taking on a degree of their flatness and simplicity, Coppola renders them surprisingly substantial. Offering a critique (a stated hope) or somehow being complicit? These questions seem to coil in on themselves, making The Bling Ring that weird yet common hybrid of tsk-tsking and celebration.
Coppola constructs their true-crime events rather conventionally for her usual style, but that's because she's smart enough to know that people this dumb don't need much embellishment.
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