Spring Awakening
Dec 1-Dec 13, 2009
Buell Theatre
Tickets start at $25
On sale online Oct 18, 2009
Box Office opens at 10am
Mon, Oct 19, 2009
Spring Awakening is the groundbreaking fusion of morality, sexuality and rock & roll that has awakened Broadway like no other musical in recent memory.
Broadway's most talked about new musical is now the biggest Tony Award-winner in years. Spring Awakening is the groundbreaking fusion of morality, sexuality and rock & roll that has awakened Broadway like no other musical in recent memory.
Winner of eight Tony Awards including Best Musical, Spring Awakening celebrates the unforgettable journey from youth to adulthood with a power, a poignancy and a passion you will never forget. We agree with The New York Times: "Broadway may never be the same again!"
Tickets start at $25
Groups (15 ) submit a Group Request by using the button above or call 303.446.4829
Show advisory: Contains adult language and situations
A note to parents from the producers.
Running time: 2 hrs 15 min with a 15 min intermission
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Spring Awakening
Sunday, Dec 13 (2009) 2:00p
at
Buell Theatre,
Denver,
CO
Age Suitability:
None Specified
Tags:
broadway
Category:
Theater
Creator: TicketNetwork
Creator: TicketNetwork
Performers at this Event
Spring Awakening
SPRING AWAKENING takes its inspiration from one of literature’s most controversial masterpieces – a work so daring in its depiction of teenage self-discovery, it was banned from the stage and not performed in its complete form in English for nearly 100 years.
SPRING AWAKENING takes its inspiration from one of literature’s most controversial masterpieces – a work so daring in its depiction of teenage self-discovery, it was banned from the stage and not performed in its complete form in English for nearly 100 years.
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1 review
This a review of the national tour of Spring Awakening that will be at the Kennedy Center July 7-August 2.
As I was waiting in the lobby before the show, I was extremely excited. I had acquired a seat onstage, a unique trait of the musical Spring Awakening. I had already seen the show twice on Broadway, and loved it, but I was anxious to see the national touring cast. I had also never sat onstage before, so that only added to my excitement.
Now seems like as good a time as any to explain the show. Spring Awakening is a musical based on Frank Wedekind's 1890s German expressionist play about the lives of a group of rural teenagers as they enter a period of self-discovery and deal with the issues that plague their age group. The play was banned for a long time, and as such it is not extremely well-known. In the early 2000s, Duncan Sheik and Steven Sater came together to make the play into a musical. They kept most of the original plot and dialogue (though they did add and modify some plot elements) and inserted a contemporary rock score. Add in unique staging and choreography and you have a refreshing new musical that effortlessly juxtaposes old with new in a way that is relevant to every teenager.
But back to this cast. I was not disappointed at all. It seems to be a tenet of theater that everyone prefers the first cast they saw of any show, and that did hold true for me. However, I was very pleasantly surprised by Steffi D's performance as Ilse and some of the boys, like Ben Moss (Ernst), Matt Shingledecker (Georg), and Anthony Lee Medina (Otto). In addition, I was much more aware of the ensemble members because of my position on stage, and I must say that they really add to the show. They all are very talented, and I even got to see one of them, Lucas A. Wells, go on for Hanschen in one performance (his acting was superb). The rest of the cast was also outstanding, but I still preferred the cast I saw originally. The portrayal I liked the least was Blake Bashoff's Moritz. He was a good actor, but I am personally not a fan of his voice. I also have a very high opinion in my head of my first Moritz, Gerard Canonico.
There will be a few changes to the show that will be made in DC, and I am very excited to see them. Jake Epstein from Degrassi will officially be playing the lead role of Melchior starting at the Kennedy Center. Also, apparently, they are adding a countermelody to the song "Whispering" (Duncan Sheik & Steven Sater wrote it and it was used in the London production). I'm not sure how I feel about this yet, but I am eager to see how it's done.