Venue Type
Nightclub
Neighborhood
First Ward
Parent venue
North Carolina Music Factory
Accessibility
Accessible to persons with disabilities.
The Fillmore
1000 NC Music Factory Blvd,
Charlotte,
NC,
28206
(704) 916-8970
Created by fillmorenc
Location & Nearby Info
Show nearby:
0.0
mi
1
Osso Restaurant & Lounge
0.7
mi
2
Dandelion Market
0.8
mi
3
Capital Grille
0.8
mi
4
Port City Java
2.0
mi
6
Carpe Diem Restaurant
2.1
mi
8
Sunset Club
2.4
mi
10
Zada Jane's Corner Cafe
Performers Coming to this Venue
Tracy Morgan
Married high-school sweetheart. Performed stand-up on such shows as Uptown Comedy Club, Apollo Comedy Hour and Showtime at the Apollo . Joined the cast of Saturday Night Live and made his movie debut in A Thin Line Between Love and Hate in 1996....
Married high-school sweetheart. Performed stand-up on such shows as Uptown Comedy Club, Apollo Comedy Hour and Showtime at the Apollo . Joined the cast of Saturday Night Live and made his movie debut in A Thin Line Between Love and Hate in 1996....
Marilyn Manson
From age 5 through his first year of high school he was enrolled in a Christian boarding school, an experience he says turned him against organized religion. Takes his stage name from Marilyn Monroe and Charles Manson....
From age 5 through his first year of high school he was enrolled in a Christian boarding school, an experience he says turned him against organized religion. Takes his stage name from Marilyn Monroe and Charles Manson....
Hollywood Undead
Hollywood Undead hail (unsurprisingly) from the streets of Hollywood, California, mixing brash hip-hop, rock, and minor metalcore touches with cocky posturing and thug attitudes. Owing much of its popularity and exposure to the social networking monster MySpace, the group -- whose members usually wear masks on-stage -- started as the musical project of J-Dog and Tha Producer in June 2005....
Hollywood Undead hail (unsurprisingly) from the streets of Hollywood, California, mixing brash hip-hop, rock, and minor metalcore touches with cocky posturing and thug attitudes. Owing much of its popularity and exposure to the social networking monster MySpace, the group -- whose members usually wear masks on-stage -- started as the musical project of J-Dog and Tha Producer in June 2005....
Passion Pit
The Boston, Massachusetts-based Passion Pit began as a one-man project of singer and songwriter Michael Angelakos to produce a Valentine's Day gift for his girlfriend. The gift, an EP entitled Chunk of Change, soon wound up in the hands of friends and acquaintances, who were enthralled with the work....
The Boston, Massachusetts-based Passion Pit began as a one-man project of singer and songwriter Michael Angelakos to produce a Valentine's Day gift for his girlfriend. The gift, an EP entitled Chunk of Change, soon wound up in the hands of friends and acquaintances, who were enthralled with the work....
Willie Colón
Trombone player, composer, and bandleader Willie Colón is one of the pioneers of Latin American music. Despite initial criticism, Colón's album El Malo has become known as one of the first albums to feature the "New York Sound" that sparked a renewed interest in Latin music during the 1970s....
Trombone player, composer, and bandleader Willie Colón is one of the pioneers of Latin American music. Despite initial criticism, Colón's album El Malo has become known as one of the first albums to feature the "New York Sound" that sparked a renewed interest in Latin music during the 1970s....
Molotov
Mexican group creates witty rap-infused hard rock (en espanol), at times playful, at times politically charged. ~ Rovi
Mexican group creates witty rap-infused hard rock (en espanol), at times playful, at times politically charged. ~ Rovi
The Cult
Following a succession of name and stylistic changes, the Cult emerged in 1984 as one of England's leading heavy metal revivalists. Picking up the pseudo-mysticism and Native American obsessions of the Doors, the guitar-orchestrations of Led Zeppelin, and the three-chord crunch of AC/DC, while adding touches of post-punk goth rock, the Cult gained a dedicated following in their native Britain with mid-'80s singles like "She Sells Sanctuary" before breaking into the American metal market in the late '80s with "Love Removal Machine....
Following a succession of name and stylistic changes, the Cult emerged in 1984 as one of England's leading heavy metal revivalists. Picking up the pseudo-mysticism and Native American obsessions of the Doors, the guitar-orchestrations of Led Zeppelin, and the three-chord crunch of AC/DC, while adding touches of post-punk goth rock, the Cult gained a dedicated following in their native Britain with mid-'80s singles like "She Sells Sanctuary" before breaking into the American metal market in the late '80s with "Love Removal Machine....
Jimmy Eat World
Once a trailblazing name in the mid-'90s emocore scene, Jimmy Eat World eventually found a larger audience by embracing a blend of alternative rock and power pop that targeted the heart as well as the head....
Once a trailblazing name in the mid-'90s emocore scene, Jimmy Eat World eventually found a larger audience by embracing a blend of alternative rock and power pop that targeted the heart as well as the head....
Los Enanitos Verdes
Argentinean pop/rock band los Enanitos Verdes was formed in the late '70s by singer/bassist Marciano Cantero, guitarist Felipe Staiti, and drummer Daniel Piccolo. After moving from Mendoza to Buenos Aires, the band started touring the local club circuit....
Argentinean pop/rock band los Enanitos Verdes was formed in the late '70s by singer/bassist Marciano Cantero, guitarist Felipe Staiti, and drummer Daniel Piccolo. After moving from Mendoza to Buenos Aires, the band started touring the local club circuit....
Scott Weiland
After rocketing to fame as the frontman for grunge-era favorites Stone Temple Pilots, singer Scott Weiland later mounted a solo career and joined the supergroup Velvet Revolver. Born October 27, 1967, in Santa Cruz, California, he spent his first 15 years outside of Cleveland before moving back to the West Coast and immersing himself in the thriving Orange County punk scene....
After rocketing to fame as the frontman for grunge-era favorites Stone Temple Pilots, singer Scott Weiland later mounted a solo career and joined the supergroup Velvet Revolver. Born October 27, 1967, in Santa Cruz, California, he spent his first 15 years outside of Cleveland before moving back to the West Coast and immersing himself in the thriving Orange County punk scene....
Hide
Show all 10 upcoming performers
Hot Tickets
More »
ON SALE NOW
-
Tue 8/6 7:30p
-
Sun 10/27 7:00p
-
Sun 9/22 1:00p
-
Sun 9/8 1:00p
-
Sun 10/20 1:00p
-
Wed 10/9 7:30p
| 06/29 | 11:00 am | Vintage Charlotte Summer Market |
| 06/30 | 9:00 pm | Tracy Morgan |
| 07/15 | 8:00 pm | Marilyn Manson |
| 07/19 | 6:30 pm | Hollywood Undead |
| 8:00 pm | CANCELLED: Passion Pit | |
| 07/20 | 9:00 pm | Willie Colon |
| 07/24 | 7:45 pm | Girls and Guitars |
| 07/26 | 9:00 pm | Bruce in the USA - A Bruce Springsteen Tribute |
| 08/01 | 8:00 pm | Molotov |
| 08/10 | 8:00 pm | The Cult |
| 08/13 | 8:00 pm | Jimmy Eat World |
| 08/14 | 8:00 pm | Enanitos Verdes |
| 08/18 | 8:00 pm | Scott Weiland |
| 08/25 | 8:00 pm | Jay and Silent Bob's Super Groovy Cartoon Movie |
| 09/06 | 7:00 pm | Wintersun |
| 09/09 | 7:00 pm | Blue October |
| 09/10 | 6:00 pm | Rancid |
| 09/11 | 8:00 pm | The National with Frightened Rabbit |
| 09/12 | 7:00 pm | Rebelution & Matisyahu |
| 09/20 | 8:00 pm | Alt J |
add to our listings









Write a Review

1 review
I know that people have very different views and experiences even at the same show. After coming across these reviews I have to give my own experience so that people know it's not all bad!
I went to this venue with my boyfriend and his best friend to see Down in September. We go to different shows and venues all of the time including both clubs and arenas. This one didn't seem all that odd or extremely different to any of us. It is a bit odd that there is only one set of bathrooms but this is basically just a one level place and it's not huge...it's just wide.
After going in and loving the general look of the place we glanced around to kind of make a mental map of where the bars and bathrooms were. The bathrooms are to the far side of the stage but not as out of the way as reviews say. I could see why the bathroom would be difficult to get to if it was not for the tape line on the floor (which, yes, could have been much clearer) keeping the crowd out of the aisle. Now I am not one who likes to stand on the outer edge of a show. Going from the middle to the outside of the crowd I didn't have a problem leaving or getting back into it.
There is a bar on the far side from the entrance and one to the right of the entrance against the wall. Again, I didn't see much of a problem with the locations even though Down is definitely a beer drinking concert. The price was pretty average I thought. $9 -$11 for beer. They had mixed drinks too but I didn't get any and don't know prices. We went to both bars a couple of times each on beer runs with no problems. Sometimes you just have to wait but I never really did since there were several attendants working each bar.
I actually really like when there are tiered sections (even though I don't often use these) and when clubs or arenas have TV screens. These are thoughtful for short people like me so we can still see what's happening even when a giant walks into our path...and stays there. I can't say anything about the quality of the screens or camera placement because I stayed up front and center for most of the show and didn't see them but everything sounded great and we all had an amazing time. I wouldn't expect any less from a Down show though!
1 review
I have to agree with the 53 year old lady. The bar service was horrible, there is no reason to try selling mixed drinks along with beer. The bartenders were slow and the bars were hard to get to. The lines we long and you are having to get around a sea of people just to get to the bar.
Once you get a couple drinks down now it's time for a bathroom run...GOOD LUCK getting there. The bathrooms are all the way in the back behind the stage area so you have to get around people again. It is a hassle in that joint. I did not have problems with the event security but they were all over the place seemingly rude to others. I have been to many venues as well and I am sorry to say, it does not look like I am going back to this venue.
1 review
First trip last night to the new Fillmore to see Gov't Mule. Went with high hopes. A new venue,with a wide open space to design and THEY DID EVERYTHING WRONG! I am 53 yrs old, and yes, I still like to rock out. My husband and I have been to venues literally all ove the US and even Europe.Yes, the show was sold out, but that's no excuse for our horrible experience. Warren Haynes and Gov't Mule are my fav band, we lost count of how many times we've seen them. And we walked out LESS THAN AN HOUR after the show started after driving up from Columbia, SC.
1)Is it a bar or music venue? There were TV screens everywhere. VERY distracting from the music. Why not put the show on the TV's? At least maybe some of us could have seen the show!
2)The bars are poorly placed. They should be further back so bar patrons (who each had to wait many minutes) don't intrude on those watching the show.
Beers were NINE DOLLARS. I don't mind paying a fair price, but I HATE BEING JACKED!!
Due to the location of the bars, we couldn't get away from people takling. We couldn't even hear the MULE!! Since we couldn't get to a bar or hear the music, I quess it's NEITHER.
3)The show was SOLD OUT. By that they mean that you WILL stand packed like sardines behind invisible lines on the floor. Why aren't the lines reflective?
4)There is only one set of RESTROOMS and they are on the far side of the stage. Couldn't get there thru the crowds. I finally used the parking lot.
5)A STAFF MEMBER wearing a BLACK STAFF SHIRT and Black Pants SHOVED ME!And I was behind their little line. I'm not some kid causing trouble, I'm a 53 year old woman! UNACCEPTABLE!I tapped him on the shoulder and SHOVED HIM BACK.
6)We stood for nearly 2 hours before the show even started.(Our choice). But inside there is NOWHERE to sit. Seemed like everywhere we tried to stop or get thru crowds, a STAFF member was there to make you move. How hard would it be to put in bleacher seats in a small are in the back? ANYTHING.
6)The SOUND SYSTEM, which looked so promising, only sounded decent right in front of the stage. One of the reasons we left was because we couldn't even hear the music!! We got in our car and listened to a live Mule Track on the way home and it was MUCH BETTER.
7)The Parking Lot: we arrived early, about 5:30 for an 8:00 show. There wasn't a single port-o-john or place to go the bathroom. There were garbage cans at the entrance only, The lot was full of trash.
8)A vendor set up on the fringes and was promptly shut down.
Don't you guys GET IT???
You need to recognize that your audience is not all 21-25 year olds.We're in our 50's and there were many folks older than us there.There are only 2 venues that we will NEVER RETURN to and now the CHARLOTTE FILLMORE IS #1 on that list.
All that money spent, and it could have been so good.