Sorry you don\'t have permission to edit this venue.
Chautauqua Auditorium
Chautauqua Auditorium
The Story of
The Waxahachie Chautauqua Auditorium
THE BUILDING
In 1901, it became obvious to the organizers of the Waxahachie Chautauqua that the newly erected pavilion in West End Park could not accommodate the throngs of people attending the Chautauqua programs at the Summer Assemblies.read more
The Story of
The Waxahachie Chautauqua Auditorium
THE BUILDING
In 1901, it became obvious to the organizers of the Waxahachie Chautauqua that the newly erected pavilion in West End Park could not accommodate the throngs of people attending the Chautauqua programs at the Summer Assemblies.
And so, on August 9, 1901, a group of citizens met in the District Courtroom of the Ellis County Courthouse and decided to build a new 2500-seat new auditorium in the park. It is unclear who was responsible for the octagonal building’s unusual design. Many believe that the structure was planned to resemble a tent, but it seems more likely that it is a copy of the original octagonal roofed platform of the open-air auditorium at the Chautauqua Institution in New York.
E.S. Boze, a local contractor and architect, was in charge of the project. Although construction did not begin until June 1902, the large and impressive building was completed in time for the Summer Assembly held July 22-31, 1902. The cost of construction was $2750
. Built entirely of wood, the Waxahachie auditorium had large “wooden windows” which would slide upward into the upper portion of the walls, making an open-air structure. The stage, with dressing rooms below, was inset in the south side of the building. A large water tank was erected near the auditorium to furnish drinking water. Electric lights were installed. Plans to gravel the floor near the stage gave way to “planking” the entire floor.
THE VENUE
The Chautauqua Auditorium provided a stage for the lectures, concerts, and performances for the Chautauqua Assemblies from 1902 to1930. During the most popular presentations, it was filled to standing-room-only capacity. In addition, with the windows open, spectators could crowd around the outside and still view performances. Sometimes buggies pulled up around the auditorium, becoming extra seating. At least once, tents were erected at the windows to accommodate the overflow crowds while keeping them out of the summer sun. Estimates of crowds in and around the auditorium reached 5000-7000 at times.
When not in use by the Summer Assemblies, the auditorium served as a venue for various other performances, reunions, conferences, and celebrations. After the Chautauqua Assemblies ended in the early 1930s, the auditorium continued to be used for some civic and educational events, including high school graduations.
THE DECLINE
Eventually, with lagging interest and use, the wooden structure began to decline until it was closed by the city in 1971. Due to its deteriorated and termite-ridden condition, there were plans then to tear down the auditorium.
THE RESTORATION
Despite the gloomy forecast for the Chautauqua Auditorium, some citizens had a vision that this noble 75-year-old building could not only survive as a reminder of its role in the Chautauqua movement, but also continue to offer education, culture, and entertainment for North Texans of the future.
At a Waxahachie City Council meeting in August 1971, Josephine Ruskin, Dr. Ford Lane, and Forest and Ola Upshaw pleaded for the preservation of the Chautauqua Auditorium and were rewarded with the decision that the Chautauqua Auditorium would be restored. By the end of 1971, a Texas Historical Marker was applied for and received. There followed several years of intense planning, publicity, and fund-raising, resulting, in 1974, in the auditorium being placed on the National Register of Historic Places and construction beginning on the restoration work.
In a joyful celebration on July 4, 1975, the restored Waxahachie Chautauqua Auditorium was rededicated. In remarks during the ceremony, speaker Dr. Ernest Connally from the U.S. Department of the Interior, said that a historic building like the Chautauqua Auditorium was “a link between generations bearing a message in three-dimensional tangible form of human aspirations and endeavor.”
*****
That was over 30 years ago. Since then, one more generation has come of age and become part of the link. We are all fortunate recipients of the legacy of the Chautauqua Auditorium and the messages it brings to us.
A founding member of the Grateful Dead, Bob Weir's musical legacy (separate from its cultural implications) will be of an utterly strange rhythm guitar player and songwriter who grew up in one of the most lasting outside bands of the 1960s....
Although his band may have slowly disappeared from the mainstream after making a grand splash, Chris Robinson and the Black Crowes cultivated a dedicated audience that ensured they would go down as one of the most respected and well-liked roots rockers of the '90s....
Discovered at an open mike when Dig Music's owner happened to be there, singer/songwriter Jackie Greene is a captivating performer who works well in simple, sparse environments. Signing to the label almost immediately, the California native worked countless clubs and bars before his discovery, a fact made more interesting when it's considered that he was a teenager during that time....
While they came into prominence as part of the late-'80s folky singer/songwriter revival, the Indigo Girls had staying power where other artists from the same era quickly faded. Their two-women-with-guitars formula may not have seemed very revolutionary on paper, but the combination of two distinct personalities and songwriting styles provided tension and an interesting balance....
Although Aaron Neville is often compared to singer Sam Cooke in terms of sheer vocal refinement, he has a voice and style uniquely his own. He is well known as part of the New Orleans sound of the Neville Brothers....
While his name might not be on the tip of everyone's tongue in his homeland, folk-leaning singer/songwriter Josh Ritter has benefited from numerous positive reviews and a loyal fan base. Born in Idaho, Ritter bought his first guitar after hearing the Bob Dylan and Johnny Cash classic "Girl from the North Country....
Cites novelist Flannery O'Connor as a major influence on her songwriting. Achieved critical and commercial success with 1998's Grammy-winning album Wheels on a Gravel Road. Has opened for Bob Dylan and Van Morrison....
A Reverse Chronology of Selected Significant Dates & Events January 20, 2009 - Andrew Bird releases Noble Beast on Fat Possum Records. The self-produced album consists of 14 original songs recorded primarily at the Beech House in Nashville, with additional recording taking place at various Chicago and Minneapolis locations over a period of five months....
Hide
Show all 10 upcoming performers
Don't Miss This
Hot Tickets
More »
ON SALE NOW
-
Tue 6/19 7:30p
-
Wed 8/15 8:00p
-
Tue 9/25 7:00p
-
Tue 7/10 7:00p
-
Sun 6/10 8:00p
-
Wed 6/20 7:00p
ON SALE SOON

add to our listings








Write a Review