A sparse aesthetic vocabulary belies conceptual complexity in the work of Liam Gillick (British, born 1964), in which distilled elements of utopian modernism, power ideology, social interaction, and corporate production make up a constellation of open-ended proposals. His work references function, then departs from it; mines architecture, but prioritizes aesthetic; suggests known structures, only to abstract them; proposes narratives, then fragments, rearranges, and corrupts them. Alluding to iconic… Show more
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