By John Logan
Raw and electrifying, RED, John Logan’s sizzling play ignites the worlds of art and commerce.
Iconoclastic Mark Rothko, the misanthropic abstract-expressionist painter, confronts his decision to accept a lucrative commercial commission. Extolling the virtues of his art as “expressing the big emotions – tragedy, ecstasy, and doom,” Rothko drills his new assistant about the dangers of selling out and as they work together, the roles of student and teacher reverse, forcing Rothko to… Show more
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